Sanitas Pradittasnee

Born in Bangkok, 2523
Lives and works in Bangkok

The Pilgrimage Within, 2567/2024

400 x 400 x 500 cm.
Thai traditional mirror, mirror, steel structure, lens

This artwork is inspired by Phaya Prab, a sacred mountain for local people,
and the subject of many stories and beliefs. The gentle rise of the mountains in the Isaan region prompts us to reflect on the connection between humans and nature. This work aims to create a space where people can slow down, and observe the changes in nature around them.

The structure resembles a raised sanctuary, reflecting the natural world surrounding it. From different angles, these reflections can appear clear or fade away. Visitors are
invited to explore the inside, where they can take time for self-reflection and
observe nature through the natural light projection of a Camera Obscura. The
sanctuary is surrounded by a growing forest, allowing viewers to witness the
changes in nature over the years. The silhouette of the sanctuary is inspired by Sukkhathalai (or Arokayasala) at the Prasat Muang Kao in Nakhon Ratchasima, built during the reign of King Jayavarman VII. Now, only earth mounds remain, resembling walls that remind us of a grand past. This work serves as a spiritual sanctuary for personal reflection amidst nature.

Sanitas Pradittasnee completed her bachelor’s degree in Landscape Architecture
from Chulalongkorn University and her master’s degree in visual arts from Chelsea
College of Art and Design in London. She founded Sanitas Studio in 2010, focusing
on creating contemporary art while also working on landscape architecture de-
sign.

Sanitas is interested in the forms, textures, and empty spaces within sculpture and
architecture, particularly architecture related to beliefs and religion. Her goal is to create artworks that encourage viewer interaction. She believes that “art is a form of communication that stimulates people’s consciousness.” Her portfolio spans from site-specific installations to various sculptural techniques. The distinction of her work stems from her in-depth research into the context of spaces and the meaning of materials, resulting in visually stunning yet serene and contemplative artworks. Reflecting the Buddhist principles of “impermanence and emptiness”, her creations offer space for deep reflection, enabling the viewer to reconnect with their inner selves.